The futur with Chris Do
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Design Visual Assets Develop visual designs for both print and digital media, such as logos, brochures, websites, and social media graphics. You’ll ensure that your designs align with brand guidelines, creating consistency across all visual materials.
Collaborate with Clients and Teams Work closely with clients, marketing teams, or product managers to understand the scope, objectives, and preferences for design projects. Your ability to interpret feedback and make design decisions based on client needs is key.
Ensure Design Quality Maintain high design standards, ensuring that your visuals are not only aesthetically pleasing but also functional. This includes choosing appropriate colour schemes, typography, layout, and imagery that resonate with the intended audience.
Use Design Software Master design software such as Adobe Photoshop, Illustrator, and InDesign to create professional-level designs. Keeping up with software updates and new tools will enhance your creativity and efficiency.
Prepare Files for Production Prepare and optimise designs for different formats, including print, web, and mobile, ensuring that files are properly set up for production or development. You’ll also collaborate with printers, developers, or other professionals to ensure the final product meets design specifications.
Stay Up to Date with Design Trends Stay informed about industry trends, tools, and techniques. Embrace new technologies like 3D design or motion graphics, and be willing to experiment with new styles or approaches to keep your designs fresh and innovative.
I’ve been working as a graphic designer for a few years now, mainly in a corporate setting. The pay is decent, and I have regular hours, which helps with maintaining a work-life balance. The job itself is enjoyable—I love the creative side, especially when I get to work on branding and marketing materials. However, tight deadlines and constant revisions from clients or managers can make it stressful at times. Remote work is possible, but collaboration with marketing teams and printers often requires office presence. Overall, if you enjoy problem-solving through design and don’t mind feedback loops, it’s a solid career.
Freelancing as a graphic designer has been both freeing and challenging. I love the flexibility—I set my own schedule and choose the projects I take on. Remote work is nearly 100% possible, which is a huge plus. The downside is that income can be inconsistent, and I have to spend time finding clients, managing contracts, and handling invoices. Stress levels depend on workload, and work-life balance is good if you’re disciplined. Overall, if you’re entrepreneurial and enjoy variety, freelancing is a great way to work in graphic design.
Working in an agency is exciting but fast-paced. I love that I get to work on different brands and industries, so no two days are the same. It’s highly collaborative, and I’ve learned a lot from other designers. The deadlines can be intense, and clients sometimes change their minds last minute, which adds stress. However, the balance is pretty good, and most agencies now allow remote work at least part of the time. I genuinely enjoy my job, especially when I see my designs out in the world making an impact.